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Unalloyed, Unlicensed, All Night!

by Jesse Osborne-Lanthier

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about

dedicated to promote young and evolving artists and to present musical diamonds in the rough, raster-noton is curating the unun series which name refers to the chemical elements 111-119. »unalloyed, unlicensed, all night!« is jesse osborne-lanthier’s first release on raster-noton, and the ninth and final release of this series.

jesse osborne-lanthier is a berlin / montreal based, canadian electronic music producer and multidisciplinary artist. his erratic research process incorporates the urgency of dance music and conceptual electronics by disassembling their grammar and acting through it. refusing to follow the etiquette of a particular musical genre, he explores many creative practices in order to generate clashes of mood, expectation and technique.

»unalloyed, unlicensed, all night!« was recorded by osborne-lanthier a mere two hours before a live set in paris. its specific purpose was to generate a response from the audience, to stimulate their bodies through sound. the toolbox for this task was stocked with automatic call-and-response music tropes drawn from EDM, big-room house, trance, and online production tutorials. between the producer’s idiosyncratic by-the-numbers process and the rushed nature of the composition, the final product is rendered unpredictable; each signifier transforms into a distorted ghost of itself. this allows for unexpected responses to manifest on the dance floor as well as in the listener’s space of existence.

Boomkat Product Review:
Raster-Noton bring the excellent, erratic Unun series to a close with some of Jesse Osborne-Lanthier’s most reactive and ‘floor-penetrating productions; bringing elements of EDM, trance and hooj room choons to the boil with a steadfast tolerance for dancefloor/electronic extremity and physicality.

Since 2010, the Berlin/Montreal-based musician has steadily carved a niche between the eyes of modern styles in an almost exponential exploration of styles, persistently short-circuiting dancefloor conventions with a combination of avant-garde strategy and extreme sonics which has lead to some of the most fascinating electronic music in recent years for the likes of Rabit’s Halcyon Veil and Shapednoise’s Cosmo Rhythmatic.

Make no mistake, though: Unalloyed, Unlicensed, All Night is Osborne-Lanthier’s most direct and up-for-it material; a masterful, off-the-cuff demonstration of how to mess with modern templates, using online production tutorials as the jump-off for a quartet of dancefloor mongrels riddled with EDM’s most virulent, effective tics.

At the front Blackwell Dynonetics’ tight, fractal knot of spasming dub chords and footwork spatter comes off like Second Woman linking with Rian Treanor, before The Zika Slam revs ups like some visceral Powell and EVOL collaboration, and the crushing swagger of Integrated Sensor Is Structure sounds like Lurka duelling with Byetone, leaving the dembow bounce and escalating hardstyle synths of Lick And A Promise to ramp like some fierce Kamixlo or Florentino winner.

This one is lands hard on all the right buttons. Can’t wait to hear them loud in the club.

Highly recommended!

credits

released January 13, 2017

Music and innersleeve design: Jesse Osborne-Lanthier

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Jesse Osborne-Lanthier Montreal, Québec

H Studios
Haunter Records
Raster-Noton
Cosmo Rhythmatic
Where To Now?
Halcyon Veil
MIND Records
Femminielli Noir

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